Curriculum

High School Fine Arts Curriculum

Study in the Fine Arts plays a vital role in the education of the total individual. Experience in the visual and dramatic arts enables self-expression and constitutes a powerful tool for self-discovery and development. It functions as a basic language and provides an essential bonding agent that connects and socializes us.

Students may choose from a variety of courses all providing opportunities to partake in problem-solving approaches that stimulate the ability to see, to express and to invent.

As of the fall term, 2004, the Fine Arts Program of Studies will offer a comprehensive foundation art course entitled Studio Art 1. Beginning with the class of 2008, Studio Art 1 will be a prerequisite for Sculpture, Mixed Media and Advanced Drawing and Painting.

Studio Art I

#1720
Pre-requisite: None
Credit: 1

Studio Art 1 is a comprehensive introductory course in fine arts that develops skills necessary to effectively render a range of subject matter including landscape, the figure, and natural as well as man made objects. Design in both two and three-dimensions, composition, and sharpening analytical observation will be the focus of this foundation experience.

Students will study a number of drawing, painting, and sculpting techniques, and will have access to a variety of art materials. This exposure will afford students an opportunity to build their art making skills, and work toward developing and refining their own individual style and aesthetic awareness.

One museum or gallery visit will be planned for each class.

Students may enroll in this course not later than the fifth class meeting.

Mixed Media

#1710
Pre-requisite: Studio Art I
Credit: 1

Students explore the combined uses of drawing, painting, collage, printmaking, and assemblage to create unique art objects in both two-dimensional and three-dimensional forms. Media may include fibers, fabrics, plastics, papers, wood, found objects, computer generated and photocopied materials, old photographs, and drawings.

These materials and techniques are combined to create art objects that explore both perceptual and conceptual issues and ideas. One of a kind art books, relief prints, wall hangings, collaged images, and boxed environments are some of the works produced in this course. A museum or gallery visit may be made during the year.

Students may enroll in this course not later than the seventh class meeting.

Sculpture

Expressing Ideas In Three Dimensions #1740
Pre-requisite: Studio Art I
Credit: 1

This course is designed to introduce students to several areas within the large field of sculpture. Students explore basic sculptural methods and gain competence in the use of a variety of tools and materials.

Ideas are initially developed through drawings and later translated to three-dimensional materials. Bronze casting, woodworking, carving, clay modeling, plasterwork and armature construction will be covered. Materials include wood, clay, wire, wax, bronze and a variety of mixed mediums for surface development. Contemporary art concepts and the history of sculpture are explored by visiting museums and galleries, through slide presentations, readings and discussions.

Students may enroll in this course not later than the fifth class meeting.

Beginning Photography

#1730
Pre-requisite: None
Credit: 1

Students will learn all the basics of black-and-white photography: the technical aspects of the 35-mm camera, film processing, and black-and-white printing. Through slide presentation, visits by artists to the classroom, and museum and gallery visits, students will be exposed to the contemporary art scene in Chicago and gain an overview of significant historical and contemporary work. Students will also learn to articulate their concerns and insights in critique sessions, developing a greater aesthetic sensibility toward their work and the work of others.

During the second quarter, students will experiment with a variety of alternative photographic techniques for changing the image dramatically. Solarizations, photo collage and montage, digital imaging, hand coloring, Xerox manipulations, and infrared photography may be explored.

During the third quarter, students will build unique, one-of-a-kind pinhole cameras and make images that further enhance their own individual style. Critiques and visits to galleries and museums to view photographic art will continue throughout the year.

Students may enroll in this course not later than the fifth class meeting.

Advanced Photography

#1731
Pre-requisite: Beginning Photography
Credit: 1

This year-long course is designed for the student with a thorough knowledge of the black-and-white photographic process. Students will investigate a wide range of materials, approaches, and equipment and explore a variety of photographic possibilities including books, collages, and photo constructions. They will use different cameras. Photomurals may also be made, exploring concepts of scale in the image. Computer-enhanced photography and layout techniques for photo publishing may be included.

Students may enroll in this course not later than the seventh class meeting.

Advanced Drawing & Painting

#172
Pre-requisite: Studio Art I
Credit: 1

This course is designed for the advanced student who is ready to focus on individualized work. Traditional and contemporary concerns of painting, drawing, mixed-media art, and three-dimensional paintings are studied along with the accompanying techniques. The purpose is to develop ideas and skills that will bring about a better understanding of art and enhance the personal visual statements of the student. Work may be done using images of figures, landscapes, still life, or historical and personal imagery, expressed through a variety of traditional and exploratory methods of pictorial composition and art media. Contemporary and traditional art will be viewed at museums, galleries and via slide shows.

This course may be repeated.

Students may enroll late in this course not later than the seventh class meeting.

Art History

#1750
Pre-requisite: None
Credit: 1

This course is a survey of the history of visual arts. It is designed to cultivate understanding, enjoyment, and appreciation of the arts, past and present. The course traces art history from the art of the ancient world through the art of the modern era and focuses primarily on painting, sculpture and architecture. Included is the history of images and architecture associated with different religions, governments, and the lives of both prominent and ordinary people. Historic trends in philosophy, faith, and social dynamics are uniquely revealed through great works of art. While there is an emphasis on the Western tradition, non-Western traditions and the uniquely Western distinction between fine arts and crafts are explored. The course is taught in a primarily Power Point lecture and discussion format, peppered with occasional museum and gallery field trips. While it is not specifically an Advanced Placement course, diligent students who are willing to do some extra studying, may confidently sign up for the AP test if they choose to.

Independent Study in Fine Art

#1760
Pre-requisite: Consent of the instructor and approval of the department
Credit: to be arranged

An independent study project in Fine Arts may be arranged with a consenting member of the Fine Arts Department given the following circumstances: The student must have already fulfilled the Fine Arts requirements from regularly scheduled course offering. Projects for independent study should concern areas within the Fine Arts that cannot be pursued through regular beginning or advanced course offerings. After receiving the approval from the instructor, the student must submit a written proposal for the approval of the department. Students may also use Independent Study to gain experience in teaching by acting as an assistant in Fine Arts classes with the consent and at the request of the instructor.

Acting Studio

#1770
Pre-requisite: None
Credit: 1

This first of three-quarters of a beginning acting course is designed to help a student discover basic acting techniques. Improvisation, acting orientation sessions, and pantomime work form the basis. Creative thinking is stressed. Movement and body control work is included with some scene works.

The emphasis of the second quarter in this course is on the development of vocal and physical characterizations. Working with scene cuttings from different modern plays, the student learns a variety of acting methods and techniques. Movement work is continued.Advanced scene cuttings and monologues are developed in the third quarter with emphasis on the psychological characteristics of different characters. An exploration of comedy techniques is included.

Students may enroll in this course late but not later than the ninth class meeting.

All acting classes may include a field trip per quarter to a play or to different theatres. The students are required to pay for their own tickets or expenditures.

Drama

#1775
Pre-requisite: Acting Studio
Credit: 1

This course explores the period and the acting styles found in the works of Shakespeare, the Restoration era, and melodrama. Scene cuttings and monologues will be produced to give the flavor of these periods. The course is designed for the advanced acting student.

The study of different periods and styles of acting will continue second quarter with scene cuttings and monologue produced from the Realistic, Contemporary and Absurd periods. The students will also present a program based on the first quarter?s work.

The periods and styles of the Absurd Theatre and the tragedies and comedies of Greek Theatre will be explored in this course. A production by the students will climax the course?s work.

Students may enroll in this course not later than the ninth class meeting.

Technical Theatre & Production

#1780
Pre-requisite: Sophomore, junior or senior standing
Credit: 1

A beginning course in theatre, this will be a highly individualized program of study tailored for a beginning set or lighting designer or a student simply interested in learning about various aspects of theatre production. The course is likewise offered for the advanced technical theatre student wishing to develop further skills in his/her chosen area of study. For the designer, this will be a course in the techniques and methods involved in transferring a printed script into a scenic unit as experienced by an audience. The student will be able to exercise his creative talents while developing an understanding of the theatre technician?s job. Drafting tools, scenery equipment, lighting, and sound materials and equipment, water colors, and construction materials for models will be the student?s tools.

For the theatre crafts student, the apprentice or master of an area, or the interested beginner the course will afford the opportunity to become familiar with new areas or to further expertise.

The students will develop individual and group projects. Practical work on a production will be required outside of the classroom. Set design, costume design, and sound design will be emphasized.

The student will be able to study advanced scene design and technical problems. There will be an examination of different artists? works. There will be several field trips to Chicago area theatres to study their facilities. Individual projects and practical work will be continued. This course will also emphasize property design, makeup design, and publicity design. Lighting, lighting design and theatre management will be areas of emphasis in this course. Functions of stage lighting, familiarity with lighting instruments, methods, and uses of control boards will be stressed. Guidelines for a theatre manager and for a stage manager will be set.

This course may be repeated.

Directing

#1785
Pre-requisite: Acting Studio
Credit: 1

This course will be an intense study of the concepts, styles, and techniques of directing for the theatre. The format will be lecture/discussion for two hours per week with the rest of the course work to be done outside of meeting time. The main emphasis will be on the development of a director?s production book. The full concept will be developed from a full-length play chosen by the student. This will involve research into all related areas: movement, art, music, design, psychological character study, and historical periods. The relationship between all these areas and the finished production will be examined.

The student will direct two or three scenes from the play.

This course will meet by arrangement during part of Fall and all of Winter and Spring Quarters.

Alternative Credit in Drama

#1795
Pre-requisite: Consent of the instructor
Credit: 1/3

The student in a practical situation may examine technical and production work. All areas of the theatre may be studied intensively: set construction, lighting, costuming, properties, makeup, sound publicity, stage management, etc.